Blossom dies, but is then saved by DeeDee as a fallen angel. Dexter and Mandark fight it out while spitting out reams upon reams of dialogue. She's captured by the Dark Star Counsel and held captive by Mandark. Shit is fucking coo-coo banaynays.ĭexter develops a crush on Blossom. Now Dexter wants to revive his sister as an android. It's discovered that Dexter's sister DeeDee was killed by Mandark during a foiled attempt by Mandark to take over Dexter's lab. The Dark Star council consists of villains from across the Nickelodeon and Cartoon Network roster. The evil Dark Star counsel is introduced. Then Bleedman decides it's time for some serious plot, and that's when the "fun" begins. The PPG girls meet new people, fight, and then go back to making friends. Apparently, Megaville contains every cartoon character from cable television and then some. Why? Because Townsville sucks and it's time for them to move on. Be like the fans and try not to think too hard about what is happening in front of you.įrom what I can gather, the story begins with the Powerpuff Girls moving to Megaville.
Powerpuff girls d full#
If you insist on getting the full Bleedman "experience", you are better off skimming. Some may consider this to be a pretty comic (I don't), but no matter your opinion on the art, it is far from a smart comic, or even an intelligible comic for that matter. While the art is enough to keep the comic popular, don't bother reading into the plot too much. Way to go from ham-handed plot to creepy shit in one page, Bleedman.
Powerpuff girls d android#
Actually, Dexter's android remake of his dead sister. Things go downhill when Bleedman introduces his own villains, but the whole comic flies from "mediocre" to "God-awful" the moment Bleedman introduces Dexter's dying sister. Oh, and a dramatic and very ham-handed subplot involving Dexter's Laboratory characters. Bleedman's biggest mistake is when he takes these characters from the typical "monster battle a week", into something that requires actual forethought, like introducing original characters and villains. It's a whole other can of worms when you try making your crossover into a coherent plot with many overarching elements. It's one thing to make a crossover where the characters get together to fight, or screw, or meet the Flintstones. He takes a bad idea and makes it into an epic. No, he takes a bad idea and runs with it. A typical crossover comic makes a few appearances, then fades away into the ether once the author finds something more productive to do, like contemplating his navel, or deciding that they need to write a comic with original content.īut Bleedman is not your typical webcomic hack. I could say that this webcomic has always been pretty awful, but crossover comics are nothing particularly new. There is no actual substance behind any of Bleedman's work. The only reason that it has gotten as far as it has is some slathering need from the thirteen-year-old reader base to see more EXTREME versions of their favorite characters. There are a few original characters, but they make brief, unmemorable appearances or are completely derivative of Bleedman's favorite shows. These are Bleedman's ideas running around in the bodies of your favorite characters. These aren't the characters you remember from your favorite shows. Most of the time, he doesn't bother to make any of his characters in-character. Bleedman tries so hard to piece together every character and every plot he can without trying to weave a plot that actually makes sense. He can only draw one thing well, and that's giant robots.Ībysmal. He continues to have timing and layout issues. His later comics are more polished, but his character designs are very derivative. His early comics rely heavily on Photoshop filters and cheap, time-saving tricks that are obvious to even the most amateur artist. While technically good, the art in Bleedman's comics present several flaws once you begin to scratch the surface.
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